RM2T8FT1G–Drawn by J. Thurston. Engraved by J. T. Wedgwood. THOMAS FLATMAN. From an original Drawing by Sir Peter Lely, in the possession of the Publisher. London, May 1, 1820: Published by W. Walker, 8 Grays Inn Square
RM2A33PH2–Facsimile-print Thomas Wedgwood.
RM2HPT934–Josiah Wedgwood and Thomas Bentley pottery on display at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK
RMC4YPX3–Thomas Wedgwood,
RMP02FBB–B2001.2.359 . 25 February 2011, 09:46:51. Josiah Wedgwood, Thomas Bentley (after George Stubbs) 11 Horse Frightened by a Lion by Josiah Wedgwood
RM2DJ36C9–Monument of Lord Chancellor Eldon, John T. Wedgwood, active 1839, unknown artist, (Thomas Sharp), 1839
RMWH9HFD–Thomas Wedgwood (1771-1805).
RM2A2KDWG–Medallion with Portrait of Thomas Bentley, c. 1775, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 18.1 × 14.8 × 2.7 cm (7 1/8 × 5 7/8 × 1 1/16 in
RMC1HKBY–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2DHWP7T–Horse Frightened by a Lion (Episode A), Josiah Wedgwood, 1730–1795, British, and Thomas Bentley, 1731–1780, British, after George Stubbs, 1724–1806, British, modeled 1780, Solid blue jasper with white relief, shallow oval, Image: 10 × 16 inches (25.4 × 40.6 cm) and Overall: 15 × 20 1/2 × 2 3/4 inches (38.1 × 52.1 × 7 cm), animal art, blue, fear, horse (animal), lion, oval, rocks (landforms), white
RM2CHBJ21–Kenneth A. Searle (l), chairman of the Press Association, receives from Sir Miles Thomas, chairman of the National Savings movement, a special Wedgwood plaque of Queen Elizabeth II's head. The presentation of the plaque, as well as a framed testimonial, was made when Sir Miles was guest of honour at a PA Board luncheon at 85 Fleet Street, London.
RMD8AB6M–THOMAS BENTLEY
RM2T8FT7M–Hans Holbein jr. did not paint Thomas Howard, 4th Duke of Norfolk (he would have been max. 7 years old), but Thomas Howard, 3rd Duke of Norfolk (1473-1554). Painted by Holbein. Thomas Howard Duke of Norfolk. Engraved by John T. Wedgwood. London, Pub. for the Proprietor, March 1821
RM2M99530–Group photo, Ramsay MacDonald's Cabinet in the first Labour Government. Front row (left to right): Adamson, Lord Parmoor, Snowden, Lord Haldane, MacDonald, Clynes, Thomas, Henderson. Second row: Trevelyan, Walsh, Lord Thomson, Lord Chelmsford, Olivier, Buxton, Wedgwood, Hartshorn, Shaw. Back row: Webb, Wheatley, Jowett.
RF2RJ86B5–A 1945 wartime advertisement for Minton China ‘the worlds most beautiful china’. The company dates back to 1793 when production commenced in Stoke On Trent in Staffordshire, England. The original founder was Thomas Minton who formed a partnership with Joseph Paulson to market earthenware and bone china. In the 1950s the company merged with the Royal Doulton Group and by the 1980s production of Minton China was in decline. In the 1990s the Minton factories and offices were demolished as part of rationalisation within the Doulton Group. In 2005 Royal Doulton was acquired by Waterford Wedgwood.
RMRXJ1H5–Medallion with Portrait of Thomas Bentley. Wedgwood Manufactory; England, founded 1759. Date: 1770-1780. Dimensions: 18.1 × 14.8 × 2.7 cm (7 1/8 × 5 7/8 × 1 1/16 in.). Stoneware (jasperware). Origin: Burslem. Museum: The Chicago Art Institute.
RMJ3FDY1–Facsimile print Thomas Wedgwood
RM2AG0HJC–'The Siege of Colchester by the Parliament Forces Under the Command of General Fairfax, 1648', (1944). Map of the town of Colchester in Essex which was attacked by Parliamentary commander Lord-General Thomas Fairfax. The Royalists resisted for eleven weeks but eventually surrendered. From "Battlefields in Britain', by C. V. Wedgwood. [Collins, London, 1944]
RMP7PNWH–N/A. N/A 372 Thomas Wedgwood (1771-1805), negative portrait made from contact printing an engraving on leather - Fox Talbot Museum - Wiltshire, England - DSC01079
RF2A00E6M–crest on a house in Holywell Street in Oxford a modern version of the coat of arms of Josiah Wedgwood 1730-1795 the potter, friend of Thomas Bentley
RM2RB3JAF–Louisa Jane Allen (Mrs John Wedgwood) by Thomas Lawrence
RM2HPT952–The Wedgwood First Day’s Vase on display at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK
RM2AHTJPX–Wedgwood Manufactory (Manufacturer). Medallion with Portrait of Thomas Bentley. 1770–1780. Burslem. Stoneware (jasperware)
RMWX0D3F–'Britain's First Labour Government', 1924, (1933). Back row: Sidney Webb, John Wheatley, FW Jowett; middle row: CP Trevelyan, Stephen Walsh, Lord Thomson, Lord Chelmsford, Lord Olivier, Noel Buxton, Josiah Wedgwood, Vernon Hartshorn, Tom Shaw: front row: William Adamson, Lord Parmoor, Philip Snowden, Lord Haldane, Prime Minister James Ramsay MacDonald, Lord Privy Seal JR Clynes, Secretary of State for the Colonies James Henry Thomas, Home Secretary Arthur Henderson. From "The Pageant of the Century". [Odhams Press Ltd, 1933]
RM2TCA7GK–Thomas Wedgwood (1771-1805).
RM2PMDA7M–Bell Pull; Made by Thomas Bentley (English, 1730 – 1780), Josiah Wedgwood (English, 1730 – 1795); tinted and molded stoneware (jasperware)
RMC1HKB8–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2JPY89M–Thomas Wedgwood (1771-1805), negative portrait made from contact printing an engraving on leather
RM2HHF3EP–Thomas Bentley ca. 1780–1800 Josiah Wedgwood British. Thomas Bentley. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent). British, Etruria, Staffordshire. ca. 1780–1800. Jasperware. Ceramics-Pottery
RF2B8YWDP–Medallion with Portrait of Thomas Bentley, c. 1775, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 18.1 × 14.8 × 2.7 cm (7 1/8 × 5 7/8 × 1 1/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HH0AB7–Thomas Pitt, Lord Camelford ca. 1780 Wedgwood and Bentley Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. Thomas Pitt, Lord Camelford. British, Etruria, Staffordshire. ca. 1780. Jasperware. Ceramics-Pottery
RMRBY6D0–Adam Smith, 1787 - Wedgwood Museum - Barlaston, Stoke-on-Trent, England - DSC09700.
RM2GPR4FK–Medallion with Portrait of Thomas Bentley, Burslem, c. 1775.
RMPB3JYA–Thomas Pitt, Lord Camelford. Culture: British, Etruria, Staffordshire. Dimensions: 3 1/4 × 2 5/8 in. (8.3 × 6.7 cm). Maker: Wedgwood and Bentley (1760-80). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA.
RMJW5BHF–Thomas Wedgwood (1771 1805), negative portrait made from contact printing an engraving on leather Fox Talbot Museum Wiltshire, England DSC01079
RMRBXDJM–Admiral Arthur Phillip RN, Founder and First Governor of Australia, Distinguished Citizen of Bath in his retirement, 1806-1814, Wedgwood - Bath, England - DSC09902.
RF2A00DNK–crest on a house in Holywell Street in Oxford a modern version of the coat of arms of Thomas Bentley 1731-1780 friend of Josiah Wedgewood the potter
RM2HPT96N–The Wedgwood First Day’s Vase on display at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK
RM2AHTDW4–Wedgwood Manufactory (Manufacturer). Anti-Slavery Medallion. 1787. Burslem. Stoneware (jasperware and black basalt), cut steel, and ivory A man of African descent, kneeling and shackled in chains, poses the powerful question Am I not a Man and a Brother Employing a stark contrast of black against a white background, here the Wedgwood pottery used its famous jasperware technique to tackle an issue dear to its founders’ heart the abolition of the slave trade. Josiah Wedgwood was part of a prominent circle of antislavery reformers and entrepreneurs, along with activist Thomas Clarkson and the phy
RMP7M5DD–3 horse studies by Edward Burch, after George Stubbs, 1788-1789, with 6 buttons, c. 1790 - Wedgwood Museum - Barlaston, Stoke-on-Trent, England - DSC09644.
RF2GGM83C–The Dining Room of Thomas Jefferson’s Monticello in Virginia.
RMCPHTR1–Cabinet James Ramsay MacDonald, 1929
RM2AFXRTR–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. or cane-coloured bisque porcelain, of the samenature with the porcelain JSo. 6. VI.—A porcelain bisque of extreme hardness, little inferior tothat of Agate. This property, together with its resistance to thestrongest acids and coiTosives, and its impenetrability by every DEATH OF THOMAS WEDGWOOD. 311 known species of liquids, adapts it happily for mortars and differentkinds of chemical vessels. Of t
RMC1HK9W–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RMC458PA–The Cabinet of Ramsay McDonald, 1929
RF2HCGRC7–Henry Talbot first to produce negative images famous person stars star gazing with telescope pictures Laycock village and Laycock abbey Thomas Wedgwood
RM2HH0AB3–Captain James Cook late 18th century Wedgwood and Bentley Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. Captain James Cook. British, Etruria, Staffordshire. late 18th century. Jasperware. Ceramics-Pottery
RM2F3CFA0–Horse Frightened by a Lion (Episode A), modeled 1780. with Thomas Bentley after George Stubbs
RMRXMR7G–Study for Wedgwood and Byerly, York Street, St James' Square from London in Miniature (recto); Sketches of Women, Cabinet (verso). Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 208 × 270 mm. Graphite with touches of brush and watercolor (recto), and graphite (verso), on cream wove paper. Origin: England. Museum: The Chicago Art Institute.
RMJX6MHA–Thomas Wedgwood (1771 1805), negative portrait made from contact printing an engraving on leather Fox Talbot Museum Wiltshire, England DSC01079
RM2HPT957–The Wedgwood First Day’s Vase on display at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK
RM2AAWY4G–Erasmus Darwin, MD Illustrated by Thomas Addis Emmet, 1880. Volume 2 consists of pages 1-99 of the 1865, quarto, edition of the work, volume 3 of pages 99-213, volume 5 of pages 303-400. Citation/Reference: EM12501 Drawn by J. Thurston; engraved by J.T. Wedgwood; after a painting by Wright.; Erasmus Darwin, M.D.
RF2GGM83D–The Dining Room of Thomas Jefferson’s Monticello in Virginia.
RM2AFYC6B–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. he Astburys. It will be noticed that in the indenture ot apprenticeship,both Mary Wedgwood, the mother of Josiah, and Thomas,his brother, to whom he was bound, are described as ofthe Churchyard, in the county of Stafford^ the town, orvillage as it then was, of Burslem not being named. It isprobable, from this fact of both being described as of theChurchyard, that not only was Josiah, as a matter ofc
RMC1HK7P–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2HH09NM–Augustus, Viscount Keppel ca. 1780 Wedgwood and Bentley Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. Augustus, Viscount Keppel. British, Etruria, Staffordshire. ca. 1780. Jasper ware. Ceramics-Pottery
RMPAMX7M–Thomas Willing. Artist: Charles Willson Peale (American, Chester, Maryland 1741-1827 Philadelphia, Pennsylvania). Dimensions: 49 1/2 x 39 3/4 in. (125.7 x 101 cm). Date: 1782. In 1781, Thomas Willing (1731-1821) was elected head of the Bank of North America in order to raise funds for the Revolutionary cause. This portrait apparently commemorates that appointment. To the sitter's left is a view of the lighthouse in Cape Henlopen, Delaware, for the building of which he had contributed funds. Willing holds an oval Wedgwood snuffbox bearing the profile of his close friend George Washington. Muse
RM2AFXRAN–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. uring the time of Wedg-wood and Bentley, into his establishment, and eventually,as I have shown, admitted him into partnership. Of Thomas Byerley I introduce, in the engraving on thefollowing page, a portrait, from a medallion produced as acompanion, I presume, to those of Josiah and Mrs. Wedg-wood, and of Thomas Bentley, of whom I have alreadygiven engravings. It is somewhat curious that both of Jo
RMC1HK96–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2HH09MF–William Pitt, the Younger ca. 1787 Wedgwood and Co. Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. William Pitt, the Younger. British, Etruria, Staffordshire. ca. 1787. Black basalt ware. Wedgwood and Co.. Ceramics-Pottery
RM2AXDGYB–Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . istorically for underglaze production. Then comesTurner, of Lane End, fourth ; Spode and Yates, fifth;William Adams, of Greengates, sixth; Thomas Minton,of Stoke, seventh; and Herculaneum, eighth. Wecannot carry it further. In the case of Wedgwood nodate can be fixed for his blue underglaze printingbecause he promised his men that he would notintroduce it at Etruria as long as he lived; and wehave no reason to assume otherwise. The cases of Baddeley of Shelton, Palmer ofHanley, also those o
RMC1HKAP–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2HH0AD0–Elizabeth I 18th century Wedgwood and Bentley Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. Elizabeth I. British, Etruria, Staffordshire. 18th century. Jasperware. Wedgwood and Bentley (British, Etruria, Staffordshire, 1769–1780). Ceramics-Pottery
RM2AFYPBT–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. one on which the pattern is of large proportions, and hasbeen produced by a very wide and coarse comb. The lead mentioned by Plot as used for glazing was thelead ore procured from tlie lead mines of Derbyshire, whichwas powdered, or punned, according to the native dialect,and dusted on to the clay vessel before submitting it to theaction of fire. In 1685 Thomas Miles, of Shelton, made a white stonew
RMC1HKA7–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RM2HH09NF–Mary Elizabeth Nugent, Marchioness of Buckingham late 18th century Josiah Wedgwood British Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of 'Illustious Ancents and Moderns.'. Mary Elizabeth Nugent, Marchioness of Buckingham. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent). British, Etruria, Staffordshire. late 18th centu
RM2AFY80X–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. ow of St. Annes Church, Liverpool, THOMAS BENTLEY. 165 work written at Biirslem, Wedgwoods native place, says,speaking of Josiali AVedgwood,— He took into partnershipMr. Richard Bentley, son of Dr. Bentley, the celebratedcritic and Archdeacon of Ely, a man of great ingenuity,taste, and learning, possessing too a large circle of acquaint-ance among people of rank and science. To him, it isgenerally u
RMC1HK8B–Plaque in Etruria Park, Stoke on Trent commemorating Thomas Wedgwood as the founder of photography
RMCEMRXD–The church of St Mary, Tarrant Gunville, Dorset. Thomas Wedgwood, son of Josiah Wedgwood, was buried in the church in 1805.
RM2AFXE5P–. The Wedgwoods: being a life of Josiah Wedgwood; with notices of his works and their productions, memoirs of the Wedgwood and other families, and a history of the early potteries of Staffordshire. thers, John, Josiah, and Thomas.* The little ghl I havespoken of as drawing a childs carriage, is Catherine, andthe two little ones who are seated in the carriage are Sarahand Mary Anne, the two youngest members of the family. The third of these is an enamel as large as life, paintedby George Stubbs. It is a fine three-quarter head, in bag-wig and grey collarless coat, and is, I apprehend, of aboutt
RMCEMT0J–The church of St Mary, Tarrant Gunville, Dorset. Thomas Wedgwood, son of Josiah Wedgwood, was buried in the church in 1805.
RM2AWFNJ1–Crockery & glass journal . ers, such as Fred Here-schofiV Marshall Whitlatch, James Ta)lor and Thomas 12 Eddy. Jerome Travers is an honorary member of the club. The record of the 18 hole course for amateurs is 73, made by the club champion, Marshall Whitlatch. * • Kennard L. Wedgwood showed the mettle of his pasture, for they certainly play good golf on the other side. » * The presidents trophy, a handsome stein, will behanded to Mr. Wedgwood by Mr. Bean as soon as thelatter can obtain a duplicate of the original presentedby R. E. L. Wells. Arthur says that if the string had A. Bean tantalizin
RMCEMT2T–The church of St Mary, Tarrant Gunville, Dorset. Thomas Wedgwood, son of Josiah Wedgwood, was buried in the church in 1805.
RM2AFP6WG–. Currie's farm and garden annual : spring 1916. ious purplish mauve. Oz. 40c... 10 THE PRESIDENT—New. For description, see page 5 25 Thomas Stevenson—Rich orange-scarlet. Flowers verylarge; standard waved, wings long, broad and spread-ing. Oz. 40c io VEILED BRIDE (1915 Novelty)—See page 5. Oz. $1.25.. 20 VERMILION BRILLIANT—A magnificent variety, de-scribed as the most brilliant scarlet Spencer yet intro-duced. Oz. 60c io WEDGWOOD—The Best Blue Spencer—A true self, beinga most beautiful Wedgwood-China blue throughout theentire flower. Long, stout stems. Oz. 70c 15 WHITE SPENCER—One of the fin
RMCEMRN6–Memorial plaque inside St Mary's church, Tarrant Gunville, Dorset, in memory of Thomas Wedgwood, son of potter Josiah Wedgwood
RM2CDKPPJ–. Staffordshire pottery and its history . enough to be idle, retired from the firm, and conveyed their shares to the younger Josiah. Till 105 WEDGWOODS STAFFORDSHIRE Thomas Byerleys death in 1810, the firm wasknown as Wedgwood, Son and Byerley.* Josiah Wedgwood himself died on January 3,1795. He bequeathed to his second son Josiahhis share in the factory and an estate of 363 acresin Stoke and Hanley, and to his other children afortune of about £160,000.f Mr Burton sumsup the result of his work as follows: His in-fluence was so powerful, and his personality sodominant, that all other English po
RMCEMRPE–World War One memorial plaque in St Mary's church Tarrant Gunville, Dorset, the church where Thomas Wedgwood was buried
RM2CDKW1J–. Staffordshire pottery and its history . nce Plots time. The five biggestfactories all make this stoneware, Dr ThomasWedgwood, sen., Moses Marsh, Aaron Shaw,Moses Shaw, Sam. Edge and Richard Wedgwood,the brother of Dr Thomas. Undoubtedly this was the new salt-glazedstoneware. The brown stoneware ascribed in thelist to Dr Thomas Wedgwood coincides exactlywith the drab salt-glazed teapoy by him now inthe South Kensington Museum. It is supposedto have been made by mixing the lightest burn-ing local clay with the fine white sand fromBaddeley Edge or Mow Cop.* The list gives no potworks at all at
RM2CEPXTE–. The origin and history of the primitive Methodist Church. II It. PITTS HILL CHAPEL .original preaching-place was on th site of the present Schools. William and Thomas Alcock, whose names stand on the plan Nos. 7 and 10respectively, had their homestead at Latheredge, where the first preachers often foundrest and refuge.f William was a protege of Hugh Bourne, and from February 20th, * Wedgwood: Staffordshire—Up and Down the County, pp. 0, 7.- t October 1st, 1819 :— When I left Tunstall on Tuesday,about three oclock in the afternoon.1 had fdrty miles to travel to my Sundays appointment. I had n
RMREX0DD–. Emma Darwin, a century of family letters, 1792-1896. Darwin, Emma Wedgwood, (Wedgwood), Mrs. , 1808-1896; Darwin, Charles, 1809-1882. MRS JOHN WEDGWOOD From an oil frui/itiiii; by Sir Thomas Lawrence, R.A. To face p. 74, Vol. I.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Litchfield, Henrietta Emma Darwin, 1843-. London, J. Murray
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